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・ Total Resistance (book)
・ Total Response
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・ Total Eclipse
・ Total Eclipse (1988 video game)
・ Total Eclipse (1994 video game)
・ Total Eclipse (American band)
・ Total Eclipse (band)
・ Total Eclipse (Billy Cobham album)
・ Total Eclipse (Black Moon album)
Total Eclipse (Bobby Hutcherson album)
・ Total Eclipse (comics)
・ Total Eclipse (film)
・ Total Eclipse (role-playing game)
・ Total Eclipse Anthology
・ Total Eclipse of the Heart
・ Total Eclipse of the Heart (The Vampire Diaries)
・ Total Eclipse of the Sun
・ Total Eclipse/Die schwarze Witwe
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Total Eclipse (Bobby Hutcherson album) : ウィキペディア英語版
Total Eclipse (Bobby Hutcherson album)

''Total Eclipse'' is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1969. It features Hutcherson's first recordings with saxophonist Harold Land, who would become a regular collaborator with Hutcherson throughout the late 1960s.〔〔Ouellette, Dan. "California Dreaming." ''DownBeat'' 80.4 (2013): 30-33. Print.〕 Four of the five tracks are Hutcherson compositions, the exception being Chick Corea's "Matrix".
==Composition and critical reception==
In a 2013 profile of Hutcherson for ''Down Beat'', Dan Ouellette wrote that ''Total Eclipse'' was a "marquee outing for the group, where hard-bop entered into the exploratory zone. The album dips in and out of Hutcherson's daredevil sensibility, with inventive vibe romps and pure elation."〔 Ouellette described Hutcherson's composition "Pompeian" as "a questing voyage with a whimsical open and close and a complex middle section that is avant-leaning and charged as Hutcherson paints dark colors on the marimbas."〔
AllMusic reviewer Steve Huey agreed that "Pompeian" was an "ambitious piece," but thought that "overall...the album foreshadows Hutcherson's move away from his explicit avant-garde leanings and into a still-advanced but more structured modernist framework. For some reason, ''Total Eclipse'' was the only post-bop-styled album Hutcherson and Land recorded together that was released at the time; though they're all high-quality, this remains perhaps the best of the lot."〔 Huey went on to praise Land's playing, writing that his "solo lines are fluid and lengthy, assimilating some of Coltrane's innovations while remaining accessibly soulful" and that his "rounded, echoing tone is a nice contrast for the coolly cerebral post-bop that fills ''Total Eclipse''."〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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